8/6/2023 0 Comments Mvd rewind![]() While it’s not exactly groundbreaking character work, it does add some nuance to an otherwise simple story.įrom there, Schifrin launches right into the Hitchockian odes to Rear Window, with McCoy even looking the part of Jimmy Stewart. Instead, it continues to build sympathy for him as it continues to showcase Preston’s awful treatment at the hands of his aide Otis (Christien Tinsley). It’s pretty clear that Preston has some issues going on – and at times the film explicitly spells them out with dialogue or the unfortunate sepia-tinged flashback to the rock-climbing accident – but it never feels like Abominable wants its audience to distrust him. Schifrin’s direction is slow but interesting, setting the tone of the film early thanks to McCoy’s slightly paranoid character. ![]() It just so happens that a group of young women are unlucky enough to be camping in a next-door cabin, and they’re prime food source for the abominable monster lumbering around the hills. He returns to the familiar area after a rash of killings and sightings of a Bigfoot-esque creature, and as he settles in to try to forget about his memories, he becomes engrossed in staring out the cabin’s big picture window with his binoculars. The film follows Preston (Matt McCoy), a disabled man still trying to recover from the emotional scarring of his wife’s death after a rock-climbing fall that also left him paralyzed from the waist down. Equal parts Rear Window and “Nightmare at 50,000 Feet,” Abominable cleverly showcases Schifrin’s favorite features while diving into cryptoid lore, opting for a simple story that adheres to its low budget while capitalizing on the savings from the film’s location setting to create some great practical gore effects. In this film, though, Schifrin replaces a neighborly homicide with something that’s presumably a lot more rare to see out a window: the appearance of a gigantic hairy creature living in the snowy forests, terrorizing campers who happen to set foot in his territory. Ryan Schifrin’s directorial debut Abominable clearly takes its inspiration from Alfred Hitchcock’s classic Rear Window, a story about voyeurism and Jimmy Stewart who can’t leave well enough alone. Only Preston can help himself and another young woman out of the woods using his wits and his rock-climbing skills.Īctors: Matt McCoy, Haley Joel, Jeffrey Combs, Tiffany Shepis ![]() All of them are unknowingly food and fodder for the abominable monster that also lives in these woods, who immediately begins to rip, shred, and eat his way through the fresh bodies that have been camping in his home. A disabled man troubled by his wife’s death after rock climbing returns to the area with his aide, staying in a cabin deep in the woods similarly, a group of 20-something girls are staying next door.
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